Some has been said about the choir rehearsal, but
nothing has been noted about Sundee marnin service. Here’s a run down of the
day.
10:30
The
choir gathers in our frigid underground lair to don the flowing white robes
and shiny stoles that serve as our costumes for the production.
10:33
High five Big Geezy, receive my weekly cheek kiss (always so wet), and
compliment her on the latest fashion creation she’s sporting. Last week, it was
a bedazzled off-white sweater trimmed in thin, gold rope which apparently
belonged to her (long since dead) mother in law. Flashy ladies they be.
10:35
We almost always hear an anecdote about J. Arbuckle’s new dog, Lonelynomore,
the only creature he has in his life to comfort him during his battle with
gout. Yes, J. Arbuckle has gout in his knee. No, J. Arbuckle is not a 17th
century pirate; he is a 30 year old music graduate student. According to Mayo
Clinic’s online compendium for hypochondriacs and self-proclaimed physicians,
gout can be caused by an over consumption of “organ meats, anchovies, herring,
asparagus and mushrooms,” so I’m assuming we can check those things off of our
what-to-get-J-Arbuckle-for-Christmas list.
10:40
Without so much as singing a do, re, or mi in attempt to warm up our voices, we
jump right in and rehearse the day’s anthem. No one remembers it from the
thousand other times we rehearsed it before this moment, and it sounds like a
bunch of people, disoriented from just having woken up from a nap in the middle
of the day, moaning in time to a coherently performed piano accompaniment. But
that’s okay, because Voltron plays our parts again, J. Arbuckle gives us a few
little tips, and before we know it, it’s show time.
10:55
I ride with Big Geezy in the elevator—instead of walking the one flight of
stairs—and we book it to line up with the rest of the choir who has long since
queued up outside the sanctuary, lookin’ fierce in our official God gear, ready
to make our grand entrance. Every week there is bickering about the various
arrival times of each member—who waited for who to close the elevator door,
who should have taken the stairs, etc.
10:57
We file into the sanctuary to the glorious and powerful strains of…Frau Blucher
sightreading a hymn on the piano (with the occasional timidly improvised
flourish). The day is good when everyone successfully mounts the THREE carpeted
stairs that stand between us and the choir loft. We have had good days and bad,
the most notable bad day being when
Big Geezy face-planted IN FRONT OF THE WHOLE CHURCH on stair number 2 of 3. One
moment we saw Geezy upright, and the next, she was down, limbs-a-flailin’.
There was a gasp from the congregation and the classic momentary flub in the
live piano music as a host of robed figures crowded her to offer assistance.
Moments later she was on her feet, clearly embarrassed, but miraculously
unbroken.
11-12
Church happens. Prayers are prayed. Songs are sung (EVERY LAST VERSE OF EVERY
HYMN). Laughtrack laughs. Sermons are preached. My favorite sermon is detailed
below.
Special
UMW (United Methodist Women) Service: A few Sundays ago, the
laydees of the church took control and led our hour or worship, sprucing up our
mundane moments (such as boring ole pastoral prayer time, where the name
of every ailing, bruised, scraped, slightly headachy, and terminally ill church
member is called out and wished a speedy recovery) and turning them into wildly
out of control hootenannies. Behold, the UMW “Women Through the Years Slideshow
Remembrance,” during which 1,000 pictures from the late 80s to mid 90s were
displayed, flipping at a snail-like pace from one to the other, all with captions
reading “Women Fixin’ Refreshments, Dottie Hawkins and Suella Mae Clark, 1991,”
“Eating refreshments with Mildred Chancel and Frankie Simmons, 1987!” or
perhaps, “Women love to eat! Cakes and pies with Susan Doyle and Dottie Mae
Duncan, 1994.” The name Dottie appeared countless times.
The most amazing part of this particular service was
the sermon, delivered by Roz, as in the slug-like secretary from Monsters Inc.
famous for constantly chiding Mike Wazowski and droning, “Don’t forget to file
your paperwork.” UMW Roz resembled the movie version insofar as they share the
same stretched facial features—a wide mouth with giant, sleepy eyelids—and they
both inch along laboriously, barely moving the upper body. The rest was a bit
different.
Imagine, if you will, Grandpa Simpson being given
the platform of the pulpit and allowed to speak for an indeterminate length of
time.
We can't bust
heads like we used to, but we have our ways. One trick is to tell 'em stories
that don't go anywhere - like the time I caught the ferry over to Shelbyville.
I needed a new heel for my shoe, so, I decided to go to Morganville, which is
what they called Shelbyville in those days. So I tied an onion to my belt,
which was the style at the time. Now, to take the ferry cost a nickel, and in
those days, nickels had pictures of bumblebees on 'em.
Give me five bees for a quarter,you'd say.
Now where were
we? Oh yeah: the important thing was I had an onion on my belt, which was the
style at the time. They didn't have white onions because of the war. The only
thing you could get was those big yellow ones... (Grandpa Simpson, Last Exit To
Springfield, Season 4)
Now imagine William Faulkner narrating Grandpa
Simpson’s inner monologue/stream of consciousness narration of this sermon. This barely comes
close to expressing how entirely obfuscating, psychedelic, and impossible to
follow Roz’s rambling words were. Essentially,
she strung together patchy remembrances of her time in UMW, never giving us the
context for these experiences nor wrapping them up in any kind of definitive
way, rather transitioning hazily into the next. Here is a partial reconstruction
of one of these moments:
And then I went to the
prisons. I didn’t want to go to the prisons, but I felt I needed to, and I had a meetin’ the next town over in
that prison, and in my house were SEVEN GIGANTIC boxes. SEVEN! Can you imagine?
And they were open, all of ‘em. Opened up in my house when LOW AND BEHOLD, the children’s home done called. And I with
SEVEN boxes in my house, well, I just about had a fit, but that’s just the way
it is. And another thing I did was…
And so on. 30 minutes later, without warning or
signal that things were wrapping up, she said, “Well thank you for listenin’ to
my stories, and sorry for muh raspy voice,” and began her eternal descent of the
3 stairs.
On the next episode, tune in to
find out who won the Academy Award for Best Actor or Actress in a Religious
Mole Project. It may not be who you think!
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